Elwing & other

Wednesday, 10 September 2008

Avril Lavigne Concert Cancelled Following Islamic Opposition

Avril Lavigne's forthcoming concert in Malaysia has been cancelled later an Islamic opposition party deemed her show �too sexy�.


The Pan-Malaysian Islamic Party said the gig, which was scheduled for August 29th, would promote the wrong values ahead of the country's independence day.


After considering the party's opposition, The Arts, Culture and Heritage Ministry agreed that the register was unsuitable.

All concerts that take place in Malaysia are subject to strict guidelines which are imposed to maintain the values of the Muslim religion.


Last year, Gwen Stefani was forced to cover up during her performance in the body politic after educatee protesters publicly opposed her concert.




More information

Thursday, 21 August 2008

Mp3 music: Del the Funky Homosapien






Del the Funky Homosapien
   

Artist: Del the Funky Homosapien: mp3 download


   Genre(s): 

Rap: Hip-Hop
Electronic

   







Del the Funky Homosapien's discography:


Future Development
   

 Future Development

   Year: 2003   

Tracks: 13
No Need for Alarm
   

 No Need for Alarm

   Year: 1993   

Tracks: 14






Cousin of famous gangster knocker Ice Cube, Del tha Funkee Homosapien (palpable constitute Teren Delvon Jones) was innate in Oakland, CA, on August 12, 1972, and got his commence with Ice Cube's patronage band, da Lench Mob. But Del's pat isn't as unrelenting or trigger-happy as Ice Cube's is, in fact, he's been known to include something in his music that's far excessively rare in to the highest degree pat music: humor. Signed to Elektra/Asylum, Del's debut expiry, I Wish My Brother George Was Here, was issued in 1991 and produced by Cube and like most belt at the time, featured numerous samples of Parliament Funkadelic classics from the '70s. Del's follow-up, 1994's No Need for Alarm, was a deviation musically, as Ice Cube was no longer in the production seat and the P-Funk sounds were dropped in party favor of a more sophisticated, nearly gaudy sound. Despite his noble experiment, Del's sophomore try failed commercially, as it would get hold of four age for the rapper to plot his next go and emergence some other recording. Having left wing Elektra, Del aligned himself closely to a few buster rapper friends, Casual and Souls of Mischief, and issued his third handout overall, 1998's Future Development, for the same tag as his friends, Hieroglyphics Records. 2000 adage the handout of an all-new Del solo handout, Both Sides of the Brain, as intimately as a self-titled debut release by a side-project, Deltron 3030, which saw Del bring together forces with both the Automator and Kid Koala.





Pick of the week: Rock and pop

Monday, 11 August 2008

Dennis Hart

Dennis Hart   
Artist: Dennis Hart

   Genre(s): 
New Age
   



Discography:


Songs With The Whales   
 Songs With The Whales

   Year: 2001   
Tracks: 12


Aurora   
 Aurora

   Year: 1998   
Tracks: 18


Gravitation   
 Gravitation

   Year: 1992   
Tracks: 17


Contiki   
 Contiki

   Year: 1992   
Tracks: 16


Meridian   
 Meridian

   Year: 1991   
Tracks: 14


Sternthale   
 Sternthale

   Year: 1990   
Tracks: 15


Terra Inco   
 Terra Inco

   Year: 1989   
Tracks: 14


Vision   
 Vision

   Year: 1988   
Tracks: 17


Zauberberg   
 Zauberberg

   Year:    
Tracks: 17


Spirit Of Life   
 Spirit Of Life

   Year:    
Tracks: 15


Nemo Collection  Zauberberg   
 Nemo Collection Zauberberg

   Year:    
Tracks: 17


Mental Balance   
 Mental Balance

   Year:    
Tracks: 19




 






Wednesday, 6 August 2008

‘Step Brothers’ Review Makes Us Worried About Roger Ebert

Photo-illustration
It's been a rough week for Roger Ebert. First, he left the show he's worked on for 33 years. Now the new Will Ferrell comedy, Step Brothers, seems to have triggered a bout of existential anguish for the jovial uncle of American film criticism. In the midst of a woeful review of Step Brothers, Ebert issues a sudden and dire cri de coeur:

Sometimes I think I am living in a nightmare. All about me, standards are collapsing, manners are evaporating, people show no esteem for themselves. I am not a moralistic nut. I'm gallant of the X-rated moving-picture show I once wrote. I like coarseness if it's funny or serves a purpose. But what is going on here?

Even sadder is the defeated shrug that follows this tumultuous disturbance: "Back to the picture show. I guess it will be a success." Could someone give poor Roger Ebert a hug?

Step Brothers [Chicago Sun-Times]

Earlier: Ebert and Roeper Leaving 'Ebert & Roeper'



Wednesday, 18 June 2008

Pepper

Pepper   
Artist: Pepper

   Genre(s): 
Other
   



Discography:


In With The Old   
 In With The Old

   Year: 2000   
Tracks: 12




Although Pepper's members ar originally from Kona, HI, the trinity doesn't trifle traditional Hawaiian medicine. Rather, Pepper's medicine is a melodic and approachable blend of alternate pop/rock, punk rocker, and reggae. Formed in 1996, Pepper is barely the only alterna-rock jazz group that has been divine by Jamaican sounds. But patch former punk-minded alternative pop/rockers wHO emerged in the '90s were greatly influenced by either graeco-Roman '60s ska or hardcore dancehall artists like Stitchie, Ninjaman, and Bounty Killer, Pepper normally gets more than inspiration from '70s and early-'80s reggae, Pepper's sound could be described as the Police meets Steel Pulse meets punk-pop. It isn't heavy to see the parallels 'tween a Pepper song care "The Good Thing" and Police hits such as "Roxanne" and "Don't Stand So Close to Me," merely patch Sting and his colleagues sounded polished, Pepper tends to favour a rawer, more than rugged approaching.


Deuce of Pepper's triplet members started on the job together in 1996; that was when singer/guitarist Kaleo Wassman first-class honours degree united forces with bassist/singer Bret Bollinger. After passing through quite a few drummers in the '90s, Pepper decided that Yesod Williams was the topper man for the job. With the Wassman/Bollinger/Williams card in place, Pepper left Hawaii for Los Angeles and went on to be an opening move for shows by Burning Spear, Shaggy, Eek-a-Mouse, Pato Banton, and other major reggae artists. Pepper first-class honours degree entered the studio in 1997 to phonograph recording a seven-song demo. But by 1999, the trinity was signed to the sovereign, L.A.-based Volcom Entertainment.


Pepper's songs appeared on various Volcom compilations, including 1999 Summer Sampler and The Early Poems of Volcom Entertainment. The threesome's' first-class honours degree full-length album, Give'n It, was released by Volcom in 2000. The undermentioned year, Pepper produced a soph record album, Kona Town, with Steve Kravac (wHO has worked with blink-182, Youth Brigade, Guttermouth, Less Than Jake, and other alternative bikers). Volcom released Kona Town in 2002 and In with the Old followed deuce years later, as Pepper continued touring with the likes of 311 and Snoop Dogg. The band too began their have record tag, LAW Records; its first-class honours degree release was a 2003 reissue of Give'n It. A live DVD was issued in early 2006 before the guys returned that fall with the studio full-length No Shame and a subsequent circuit alongside Slightly Stoopid.






Monday, 9 June 2008

Allen Wanted Nicholson Not Caine For Hannah Role

Director Woody Allen wanted Jack Nicholson to star in Oscar-winning movie Hannah And Her Sisters but couldn't afford his fee - so instead asked Michael Caine. The 72-year-old filmmaker let slip that Caine - who won an Academy Award for his performance in the film - wasn't his first choice for the part and he would have preferred The Shining star. Allen tells Britain's Empire magazine, "I couldn't afford Jack Nicholson." "For Hannah, I wrote the part for an American so I wanted an American actor to play it." But the filmmaker reveals that he would be eager to work with Caine again if the right project came up. He adds, "(And) if I were doing something that required someone British, I would be thrilled if he would do it."


See Also

Sunday, 1 June 2008

Take That - Barlow Hits Out At Boring Radio Stations

TAKE THAT star GARY BARLOW has criticised U.S. radio stations - branding their playlists "boring".

The British singer hates the way stations in America always stick to playing the same songs over and over - insisting the public soon tire of hearing repeated tracks.

He says, "The radio plays records too much in America. It's monotonous."

But Barlow still enjoys hearing his own songs over the air waves.

He adds, "When you switch on the radio and you hear your song I'm excited. It's still a buzz for me."




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